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The most famous was the Cafe des Aveugles in the cellars of the Palais-Royal , which had a small orchestra of blind musicians. The first cabaret in the modern sense was Le Chat Noir in the Bohemian neighborhood of Montmartre , created in by Rodolphe Salis , a theatrical agent and entrepreneur.
Its clientele a mixture of writers and painters, of journalists and students, of employees and high-livers, as well as models, prostitutes and true grand dames searching for exotic experiences.
The cabaret was too small for the crowds trying to get in; at midnight on June 10, Salis and his customers moved down the street to a larger new club at 12 rue de Laval, which had a decor described as "A sort of Beirut with Chinese influences.
By there were fifty-six cabarets and cafes with music in Paris, along with a dozen music halls. The cabarets did not have a high reputation; one critic wrote in that "they sell drinks which are worth fifteen centimes along with verses which, for the most part, are worth nothing.
Some were purely theatrical, producing short scenes of plays. Some focused on the macabre or erotic. The Caberet de la fin du Monde had servers dressed as Greek and Roman gods and presented living tableaus that were between erotic and pornographic.
By the end of the century there were only a few cabarets of the old style remaining where artists and bohemians gathered. The music hall , first invented in London, appeared in Paris in It offered more lavish musical and theatrical productions, with elaborate costumes, singing and dancing.
The theaters of Paris, fearing competition from the music halls, had a law passed by the National Assembly forbidding music hall performers to wear costumes, dance, wear wigs, or recite dialogue.
The public took the side of the music halls, and the law was repealed. It was greatly prominent because of the large red imitation windmill on its roof, and became the birthplace of the dance known as the French Cancan.
The Olympia , also run by Oller, was the first to be called a music hall; it opened in , followed by the Alhambra Music Hall in , and the Printania in The Printania, open only in summer, had a large music garden which seated twelve thousand spectators, and produced dinner shows which presented twenty-three different acts, including singers, acrobats, horses, mimes, jugglers, lions, bears and elephants, with two shows a day.
In the 20th century, the competition from motion pictures forced the dance halls to put on shows that were more spectacular and more complex.
Its stars in the s included the American singer and dancer Josephine Baker. The Crazy Horse Saloon , featuring strip-tease, dance and magic, opened in The Olympia Paris went through a number of years as a movie theater before being revived as a music hall and concert stage in A handful of music halls exist today in Paris, attended mostly by visitors to the city; and a number of more traditional cabarets, with music and satire, can be found.
In the Netherlands, cabaret or kleinkunst literally: "small art" is a popular form of entertainment, usually performed in theatres.
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Club Cabare't. The light or no alcohol content of the drinks maximizes profits and ensures that the hostess does not become intoxicated after only a short time at work [ citation needed ].
Businesses may pay for tabs on company expense with the aim of promoting trust among male co-workers or clients. Patrons are generally greeted comfortably at the door and seated as far away from other customers as possible.
In some instances, a customer is able to choose with whom he spends time, while most often that is decided by the house. In either case, the hostess will leave after a certain amount of time or number of drinks, offering the customer a chance to see a fresh face.
While most establishments have male touts outside to bring in customers, it may also fall upon a usually new hostess to do so.
While hostess clubs are clearly gendered in the way that women serve men, research has also revealed the complexity of intra-gender dynamics and sometimes tension among hostesses as well, and the ways that male customers often work to mitigate problems among hostesses as well as between hostesses and Mama-san.
Hostess clubs have a strict "no touching" policy and patrons will be removed for trying to initiate private or sexual conversation topics.
Normal hostess clubs also need a permit to allow dancing. Any club found violating its permitted activities can have its business license terminated or be suspended, until corrections are made.
Hostessing is a popular employment option among young foreign women in Japan, as demand is high. However, work visas can be difficult to obtain, so many choose to work illegally.
The clubs sometimes take advantage of the precarious legal situation of the women. The government promised to crack down on illegal employment of foreigners in hostess bars, but an undercover operation in found that several hostess bars were willing to employ a foreign woman illegally.
In December , a trade union , called the Kyabakura Union , was formed to represent hostess bar workers. The union was formed in response to complaints by hostess bar employees of harassment and unpaid wages by their employers.
Although they do not charge an entry fee and often have no set prices on their menus , they usually either have an arbitrary charge or charge a set hourly fee plus a "bottle charge".
Customers purchase a bottle in their own name, and it is kept for future visits. In Hawaii, approximately half of Oahu's bars are licensed as hostess bars.
Some bars in Thailand label themselves as hostess bars; these are loosely related to the East Asian practice, although they are basically a class of the local go-go bars that do not feature dancing.
Customers are typically wives of rich men, or women working as hostesses in hostess clubs. The first host club was opened in Tokyo in Professor Yoko Tajima of Hosei University explained the phenomenon by Japanese men's lack of true listening to the problems of women, and by women's desire to take care of a man and be loved back.
Male hosts pour drinks and will often flirt with their clients, more so than their female counterparts. Some host clubs have a dedicated stage for a performance, usually a dance, comedy sketch, etc [ citation needed ].
Hosts' ages usually range between 18 and the mids. They will take a stage name, usually taken from a favourite manga, film, or historical figure, that will often describe their character.
Men who become hosts are often those who either cannot find a white-collar job, or are enticed by the prospect of high earnings through commission.
A common look for a host is a dark suit, collared shirt, silver jewellery, a dark tan,  and bleached hair. Pay is usually determined by commission on drink sales with hosts often drinking far past a healthy limit, usually while trying to hide their drunkenness.
Because the base hourly wage is usually extremely low, almost any man can become a host regardless of looks or charisma depending on the bar.
The environment in a host bar is usually very competitive, with tens of thousands of dollars sometimes offered to the host who can achieve the highest sales.